Business Law Essay Example | Topics and Well Written Essays - 1500 words - 6

Business Law - Essay Example Most tribunals deal with cases that involve the rights of private citizens against the State. Many of these tribunals deal with issues that are central to the fight against social exclusion like for example, social security, child support and mental health. Tribunals are a large and important part of the justice system, that have, hitherto fore, not received the attention and recognition that they deserve. The progress of equal pay cases can be normally slow and complicated. Cases pertaining to jobs of equal value involve enormous number of claimants with a wide range of implications. Tribunals face a lot of difficulty in dealing with complex cases which involve expertise, because they will be forced to appoint an independent expert to prepare a detailed case study and evaluation report and this causes inordinate delays. Further these independent experts are not supplied with sufficient information and further, they do not possess the required authority to demand such information from the claimants. The tribunal cannot enforce any sanction on the experts in the case of delays and the availability and appointment of such independent experts also involves time. In addition, tribunals conceal the identity of the independent experts and this has the effect of discouraging claimants, to some extent, in providing complete information. In order to mitigate these problems, section 8(5) of the... d in order to streamline case management by making the rules easier and by engendering the early exchange of information, engagement of independent experts and by ensuring that information is given to them at the early stage of the proceedings1. Another problem consists of the fact that there are no plans to extend legal aid to people whose incomes are low and who are involved in the complex tribunal procedures. The situation obtaining at present is such that many people have to meet their own costs, and have to represent themselves, whilst many employers are represented by experienced barristers. This practice enables employers or their legal representatives to use the threat of costs to intimidate and deter those making an application to an employment tribunal. Tribunals cover a very wide range of important issues like health, employment, benefits, housing and immigration and people depend on them to protect their important basic rights. If tribunals are to provide effective justice then people bringing and defending cases before it must have access to low cost and informed legal aid. The government had initiated steps to ensure that tribunals meet the standards of independence and impartiality as required by the Human Rights Act. In Starrs and Chalmers v Procurator Fiscal2 the court decisions have confirmed that Employment Tribunals3 and School Admission and Exclusion Appeal Panels4 meet the required standards. Therefore, the government is of the firm belief that tribunals fully meet all the requirements of the populace and that no further changes should be required on that account. However, the government will take all necessary steps wherever the arrangements in any particular tribunal are found to be insufficient. Apart from the considerations of human rights,

Wildlife Rehabilitation Center Essay Example for Free

Wildlife Rehabilitation Center Essay As a kid and an adult, I have encountered numerous occasions in which I’ve stumbled upon a neglected baby bird. Instinctually, I would think picking up the baby bird, bringing it into my home, and consoling it would be the most beneficial to the animal. After reading an article on South Plains Wildlife Rehabilitation Centers (SPWRC) website, I was surprised to learn doing the exact opposite would be better for the birds’ ultimate well-being. There are many issues that can be easily over looked because they do not necessarily affect one’s life directly. The both educational and environmentally beneficial programs at the South Plains Wildlife Rehabilitation Center can be a useful tool, to not only open one’s eyes to unseen issues, but also create a more diverse and stable local wildlife. South Plains Wildlife Rehabilitation Center hosts a variety of volunteer opportunities. In my opinion the most exciting program would be the hands on wildlife care program. This program involves, preparing meals, feeding animals, and helping with medical treatment, all while creating unique bonds with each animal. Also, the volunteer would learn the procedures for aiding the animals that are brought in for care and answering any questions about a wildlife emergency properly. If one is more drawn to the outdoors and wants more of a physical volunteer experience, helping with the building and grounds maintenance is a perfect opportunity for physical work. The program involves handy work, lawn care, landscaping, and general maintenance activities. Most importantly, this program includes the responsibility of maintaining a clean and suitable environment for the animals. Another opportunistic program with SPWRC is the environmental education program. This program is for volunteers who enjoy educating the public, it involves setting up educational materials, being able to handle educational animals, and teaching the community about the centers’ wildlife. To aid in this program volunteers will learn new materials necessary to inform the public and will also need to be open to creating ideas to help form new community outreach programs. For some volunteers who prefer to be a little more behind the scenes, there are opportunities to assist in fundraising and clerical work around the center. Fundraising will need volunteers to be able to participate and help with campaign activities. Clerical work will involve simple errands that will aid in the administrative office with staying up to date with important information. To get started with volunteering at South Plains Wildlife Rehabilitation Center, first depends on whether the volunteer is an adult or junior. Juniors’ fall under the age group of twelve to seventeen years old, because of their age, they need a parents’ approval and are restricted in helping with certain animals. An adult volunteer can help with any of the animals, if properly vaccinated and possesses a certificate with a notary seal for proof. There is also a questionnaire that must be filled out by all volunteers. After the proper vaccinations and the questionnaire have been completed, they will be sent to the volunteer coordinator. Soon after, the volunteer will be called for an orientation session, if qualified. South Plains Wildlife Rehabilitation Center is a non-profit organization that solely depends on its volunteers and the amount of donations given by the community. Without these two major factors, the rehabilitation center would not be able to function. With volunteering, an important role in this organization, there are a variety of volunteer opportunities waiting to be fulfilled. No matter how one chooses to get involved with SPWRC’s programs, the benefits of doing so echo both throughout the community and within oneself.

Airships :: essays research papers

Airships INDEX PROLOGUE 2 TYPES OF AIRSHIP 2 RIGID AIRSHIP 2 NONRIGID AIRSHIP 3 HISTORY OF RIGID AIRSPS 3 HISTORY OF NONRIGID AIRSHIPS 4 AIRSHIPS TODAY 5 HINDENBURG 6 HINDENBURG DISASTER 7 PROLOGUE An airship is a type of lighter-than-air aircraft with propulsion and steering systems, it is used to carry passengers and cargo. It obtains its buoyancy from the presence of a lighter-than-air gas such as hydrogen or helium. The first airship was developed by the French, called a ballon dirigible, it could be steered and could also be flown against the wind. TYPES OF AIRSHIP Two basic types of airship have been developed: the rigid airship, the shape of which is fixed by its internal structure; and the nonrigid blimp, which depends on the pressure created by a series of air diaphragms inside its gas space to maintain the shape of its fabric hull. Inventors sought to combine the best features of these models in a semirigid type, but it met with only limited success. Today only the nonrigid airship is used. Rigid Airship The rigid airship's structure resembled a cage that enclosed a series of balloons called gas cells. These cells were tailored to fit the cylindrical space and were secured in place by a netting that transmitted the lifting force of their gas to the structure. Each gas cell had two or more valves, which operated automatically to relieve pressure when the gas expanded with altitude, the valves could also be operated manually so that the pilot could release gas whenever desired. Also on board was a ballast system that used water as ballast. On the ground this ballast served to make the airship heavier than air. When part of it was released, the airship ascended to a cruising altitude where the engines supplied propulsion, and further ballast could be released to gain more altitude. As fuel was consumed, the airship became lighter and tended to climb. This was countered in hydrogen-inflated airships by simply releasing gas into the atmosphere. The method was uneconomical, however, with helium-inflated airships, and they were therefore equipped with ballast generators, apparatuses that condensed moisture out of the engines' exhaust gases to compensate for fuel that was consumed. But this ballast-generating equipment was expensive, complex, heavy, and difficult to maintain and was thus one of the most serious disadvantages of airships filled with the safer but more expensive helium. Nonrigid Airship In contrast to the rigid airship, the nonrigid blimp has no internal structure to maintain the shape of its hull envelope, which is made of two or three plies of cotton, nylon, or dacron impregnated with rubber for gas tightness. Inside the gas space of the hull are two or more air diaphragms called ballonets that

Comparing and Contrasting the Baroque and Classical Period in Music

Both the Baroque and the Classical period in music produced great household name composers, such as Johannes Sebastian Bach and George Handel in the Baroque Era, and Wolfgang Amadeus Mozart and Josef Haydn in the Classical Period. To many listeners who are vaguely familiar with classical music, there is not much difference between these two musical periods.However, to avid listeners, the complex differences in style, tone, and structure between these two eras are too great to be ignored. Let us look first at the Baroque Period.This period is characterized by a strong contrapuntal style and a heavy reliance on polyphony, that is, on many different â€Å"voices† layered on top of one another. Baroque melodies usually do not follow a strict, symmetrical order (e. g. four-measure phrases, where there is a cadence every four measures), but instead work with themes or motives that are continuously spun out throughout the piece. This technique of â€Å"spinning out† motives is called by its German name, Fortspinnung, and is characterized by continuous motion, asymmetrical phrase lengths, melodic or harmonic sequences, key changes, and phrase omissions (Theory and Analysis 386).This technique often gives listeners a feeling of excitement, rendering chord progressions and melodic sequences somewhat unpredictable. Perhaps the greatest composer to come out of the Baroque Period is Johannes Sebastian Bach. His music is filled with complex melodies which work and re-work the themes stated at the beginning of his pieces. In contrast, the Classical Period of music is characterized more or less by a strict, symmetrical structure in the music.Phrases are often divided every four or eight measures, with these phrases adhering to a two part structure – antecedent and consequent phrases. The antecedent phrase, usually four or eight measures, ends in a half cadence, thereby calling for a harmonic resolution; the consequent phrase, usually of equal length, answe rs this call by ending in a full cadence (i. e. in the tonic), resolving the tension presented in the antecedent phrase. The biggest difference then between Baroque and Classical Period music, in terms of style, is the difference in phrase structure.Although both the Baroque and Classical Period share similar phrase endings (full or plagal cadences), the Baroque does not usually follow the antecedent-consequent phrase structure that characterizes so much of the music in the Classical Period. The foremost composer whose work best exemplifies the Classical Period is Wolfgang Mozart. His concertos, sonatas, and symphonies are filled with antecedent-consequent phrase structures that have been influential in music, from the Romantic Period to contemporary popular music.Given this difference in style, we also see differences in the forms of compositions. Because of the differences in instruments (e. g. Baroque Period is characterized by the use of the harpsichord, where Classical Period i s popular for its widespread use of the piano), different forms of music were very popular for each period. In the Baroque Period, the popular forms were Concerti Grossi (full orchestra with many soloists), Fugues (counterpoint style with multiple voices claiming the same melodies), and Suites (four movement pieces written for a select number of instrumentalists).And in the Classical Period, composers stuck to writing Concertos (three movement pieces for orchestra and a solo instrument), Symphonies (four movement orchestral pieces), and Sonatas (three movement pieces for one or more solo instruments). Most of the pieces in the Classical Period are written in Sonata-form, which divides the piece into three sections: exposition, which presents the main theme; development, which develops the main theme, varying it in complex ways; and recapitulation, which returns back to the main theme.Both periods of music produced rich pieces which are still listened to and played today, and yet the differences between these two periods, though somewhat subtle, provide a wide range of listening experiences for the classically tuned ear.Works Cited and BibliographyJane Piper Clendinning and Elizabeth West Marvin. The Musician’s Guide to Theory and Analysis. (New York: W. W. Norton & Company, Inc. , 2005)Donald Jay Grout. A History of Western Music. (New York: W. W. Norton & Company, Inc. , 1973).Charles Rosen. The Classical Style. (New York: W. W. Norton & Company, Inc. , 1972).

Event Industry Suppliers and Event Organisational Structures

Event Industry Suppliers and Event Organisational Structures Since the beginning of time human beings had the need of having special events. First, they were made for cultural and celebration purposes, but their area increased continuously. Today, the events vary from personal celebrations to mega events, from voluntary events to private musical events, form cultural to sporting events.Shone and parry classify special events by purpose and these are: leisure events (sport, recreation, and leisure), personal events (weddings, anniversaries, and birthdays), cultural events (Sacred, ceremonial, folklore, art, and heritage) and organizational events (commercial, political, charitable, sales). According to their size and scale, events are categorized in the following way, from the smallest to the biggest: local/community events, hallmark events, major events and mega events. Bowdin, 2006, p. 15) As Bowdin (23, 24) says further in his book, because of the complexity and volume of events in dustry today, a large range of event suppliers had been developed, which may work only for this industry, like catering, staging, lightning, fireworks, entertainment, but as Tassiopoulos (2005, p. 46) states, few suppliers are dedicated exclusively to the events, they just interfere with them as transportation, communication and security do.Events are organized by professionals working in a specific organizational structure, according to the size and complexity of the event. This could be simple, functional or a network one or a matrix type if the event is held at various venues. The network type consists in having an event manager or a small team as organizer(s) and hiring suppliers for what the event needs. So even if the organising team is not big enough to produce all the resources for an event, it can hire other organizations that supplies them with what else they need for materializing the event concept.This process is called by Bowdin as creating â€Å"virtual organisationsà ¢â‚¬  that lasts during the event then they disintegrate and each party can find other such organisations to join for future events. This kind of structure has the advantage of quick decision making, because the people who are making decisions are few in numbers, or only the event manager, others just being hired to do specific services. The activities of the events are usually categorised into distribution, production, venues and ancillary services. Shone and Parry (2010, p. 3 ) offer a list of organisations categorised by the type of services they are offering. The organisations who are working in the production area are: event management companies, party planners, production companies, event catering companies, exhibition and theatrical contractors and designers, technical services companies or individuals, professional party/conference oganisers, multimedia support companies voluntary bodies and education and training. ) Distribution organisations could be individual events and venues, event and conference agencies, trade madeia, hotel booking agencies.Visitior and convention bureau, incentive travel agencies, exhibition organisers, ticketing agencies, trade exhibitions and national and local tourist bodies. Some organisations that could supply the events with venues or services for venues are event room/hall/grounds hire, catering and kitchen facilities, accommodation, food and drink suppliers, business support services, medical and creche services, information and customer services, technical support, waste disposal and grounds clearance, toilets washrooms and public facilities, parking security and set designers.Also, still according to shone and parry, the organisations who offer anciliary services are: accommodation providers, photographers and video makers Transport and guiding services, music and entertainment providers, travel companies, costume hire service, marquee hire services, printer, floral contractor, database support service, fireworks di splay operator, professional and trade bodies, national and local government services. Event management companies, according to Bowdin (2006, p. 3), are organisations that are offering to organize events, usually large, for potential clients on contract basis. The gigantic corporations existing nowadays often contact these companies and usually generate long relationships with them, states Bowdin. Production companies are very similar to the event management ones, but they are restricted to the production, while the others may offer additional services without hiring external organisations. Party planners and professional event organisers do the same work as the event production companies, but they are individuals, nstead of teams or functional organisations. PCO, professional conference organisers, can organise conference and meetings for small groups or big conferences such as a political party meeting. Some venues serve their own food and beverage, but when an event is held at a venue without such services or in natural spaces, and the organisers want to provide to the customers, they will need to hire event catering companies, if they don’t have the resources themselves.These companies offer food and beverages from the simplest to very sophisticated types for events. The modern clients of events acquired taste and desire for quality and innovative dishes, so the catering services adapted their needs. These suppliers may have their own kitchen, the venue may provide them with one or the organisers will have to improvise a place where the food will be prepared.The organisers will have to consider other important factors when hiring these companies, such as waste management, asking the guests their preferences if it is a controlled event or researching the potential customers if it is an uncontrolled one, informing the catering company about the theme and the key moments of the event, such as speeches or surprise shows and assuring they will have enoug h food and beverages for the customers.Hotel booking agencies, incentive travel agencies, national, local tourist bodies, travel companies and accommodation companies play an important role in events if the customers are tourists or if they are coming from other localities and have to stay overnight. These organisations could provide some events with customers and offer them additional services such as accommodation and guiding. The event organisers could make contracts with these companies or buy their services for the customers in order to obtain them cheaper, instead of letting the clients buying by themselves.Ticketing agencies could be contacted to advertise the event, if the organisers are not specialised or don’t have time for this. If an event is theme based, then theme designers, costume hire services, floral contractors and other such companies can be hired to set a professional theme, buying the right supplies from retailers or producers of decoration or themed pro ducts for events. Photographers and video makers offer professional recording of events and they should be hired especially at cultural and personal events, because people like to memorise them over the years.Music and entertainment providers supply the events with the main component for the customer for the leisure events or they could just help for the ambiance at events that have other principal purposes. There are many available venues today that can and even ask to be hired for organising events. Many venue owners organise events by themselves, but also allows other professionals to hold events in their venues on a contract basis. The event manager should know how to negotiate with these venue owners and how to establish relationships.Government bodies also play an important role in events, because of the laws for preparation and sale of beverages, food, waste management and removal. External regulatory bodies As noted, contemporary events take place in an increasingly regulate d and complex environment. A series of local government and statutory bodies are responsible for overseeing the conduct and safe staging of events, and these bodies have an integral relationship with the industry.Councils often oversee the application of laws governing the preparation and sale of food, street closures, waste management and removal. In addition, events organizers have a legal responsibiliy to provide a safe workplace and to obey all laws and statutes relating to employment, contracts, taxation and so on. The professional event manager needs to be familiar with the regulations governing events and to maintain contact with the public authorities that have a vested interest in the industry. Bowdin 23 Events are held in many different locations from established venues to open spaces * The nature of your event will help dictate the type of venue you select * The event site or venue should be an effective space that suits the type of event being staged * Ultimately, the ve nue MUST be able to meet the needs of the event and its audience * â€Å"The number of new venues, and types of venues, opening their doors to conference delegates appears to be escalating, and there are increasing signs that demand for these facilities is not increasing at the same rate.Venues are not only changing in quantity but also in their quality. † * Davidson and Rogers (2006, p. 69) Top 5 Most Important Factors When Choosing a Venue as Identified by a Number of American Event Organisers 1. Size of the venue 2. Potential audience draw 3. Location 4. Number of meeting rooms 5. Price 6. Mike Lyon, Director, Write Style Communications, 7. The National Venue Show, (Sept. 2007) The choice of a venue is a crucial decision that will ultimately determine many of the elements of staging. Figure 13. 2 lists the major factors in the choice of a venue.The venue may be an obvious part of the theme of the event. A corporate party that takes place in a zoo is using the venue as part of the event experience. However, many events take place within ‘four walls and a roof’, the venue being chosen for other factors. It can be regarded an empty canvas on which the event is painted. Events can be staged in a range of unusual spaces, from unused factories, parkland, car parks or shopping centres, to floating stages on water or using flat-back trailers from articulated lorries in a supermarket car park.The event manager can exploit the surroundings and characteristics of the venue to enhance the event experience. In these situations, the traditional roles of stage manager and event manager become blurred. When the audience and the performers mix together and where they and the venue become the entertainment package, the delineation between stage and auditorium is no longer appropriate. An event that uses a purpose-built venue, for example, an arena or exhibition centre, will find that much of the infrastructure will be in place.Two documents _ Location _ M atching the venue with the theme of the event _ Matching the size of the venue to the size of the event _ Venue configuration, including sight lines and seating configuration _ History of events at that venue, including the venue’s reputation _ Availability _ What the venue can provide _ Transport to, from and around the venue; parking _ Access for audience, equipment, performers, VIPs, staff and the disabled _ Toilets and other facilities _ Catering equipment and preferred caterers Power (amount available and outlets) and lights _ Communication, including telephone _ Climate, including microclimate and ventilation _ Emergency plans and exits Figure 13. 2 The factors in venue selection 388 Events Management that are a good starting point for making an informed choice about the venue are the venue plan and the list of facilities. However, because there are so many factors in an event that are dependent on the venue or site, an inspection is absolutely necessary.For music event s, HSE (1999) suggest that main considerations for the site visit are available space for the audience, temporary structures, backstage facilities, parking, camping and rendezvous points, together with some idea of proposed capacity, concept for the entertainment and rough calculations of space requirements. For conference events, Shone (1998) identifies that location will be the key consideration, with the venue needing to be close to a main motorway and within an hour’s travelling time of a major city and airport (if international delegates are expected).Further, Owen and Holliday (1993) recommend that the event manager makes a preliminary unannounced visit to the venue to check the ambience and courtesy of staff before making arrangements. Lyon (2004, p. 2) notes that a site inspection or familiarization (Fam) trip provides you with the opportunity to sample the destination or potential venue, with the aim of you being able to sell this back to your organization and recapt ure the experience for your delegates. He provides a useful handbook to assist this process.Rogers (1998) suggests that there are a number of points to consider when shortlisting conference venues. These include: . the type of venue (hotel, conference centre, university, football stadia or stately homes) . the conference rooms and facilities available (including combination of room sizes and style of seating for the requirements of the event) . accommodation and leisure options (depending on residential requirements and opportunities for social activities) . an identifiable point of contact. As with many aspects of supplier selection, the Internet has had a significant effect on venue choice.Using a search engine is often the first action in the investigation of a suitable venue. Some websites display a choice of venues once certain information (such as size of audience, approximate location and type of event) has been entered. The major hotels, conventions and exhibition centres, u niversities and purpose-built venues have websites to enable the matching of event requirements to venue characteristics. However, this method has the same limitations as those of using photos and brochures to assess a venue. The websites are a tool for selling the venue, not a technical description.In addition, many suitable venues may not have an Internet presence. An Internet search will show only venues that expect to host events. If the event is truly special, the event venue may be part of that theme. A car park or a rainforest, for example, will not appear in a search for event venues. The final consideration when choosing an event is whether it requires a physical location at all. With the ongoing development of videoconferencing, and the extensive developments in the Internet, events can take place in ‘cyberspace’. With some events, e. g. usic concerts, the event takes place live in venue in the traditional manner, however, with the introduction of webcasting, a worldwide audience can view or experience the event simultaneously. In this instance, access to technological support and facilities, for example, a large bandwidth telephone line, will be a consideration. In other areas, for example, exhibitions and conferences, technology has been deployed in such a way that it may support the live event experience, through the website hosting supporting materials for visitors to view and in some cases interact with.Relatively recent advances in Internet technology, together with faster telecommunication infrastructure, have enabled conferences to take place solely on Staging events 389 line, with delegates interacting, either visually through videoconferencing or through text with instant messaging. Exhibitions can take place in virtual exhibition venues, which can either be modelled on the live exhibition venue as a means of supporting the event experience or can take place solely in the virtual world without the boundaries of traditional venu es and limited only by imagination and the available technology.The value of such developments is only just beginning to be realized, with some commentators predicting the death of live events, whilst other, more enlightened observers view these developments as a further medium to support or enhance the live event experience. The venue contract will have specialist clauses, including indemnifying the venue against damages, personnel requirements and provision of security staff. The contract can also contain the following elements: Security deposit: an amount, generally a percentage of the hiring fee, to be used for any additional work such as cleaning and repairs that result from the event. . Cancellation: outlining the penalty for cancellation of the event and whether the hirer will receive a refund if the venue is rehired at that time. . Access: including the timing of the opening and closing of the doors, and actual use of the entrances with controls to ensure only access to auth orized areas. . Late conclusion: the penalty for the event going overtime. . House seats: this is the reserved free tickets for the venue management. Additions or alterations: the event may require some changes to the internal structures of the venue. . Signage: this covers the signs of any sponsors and other advertising. Venue management approval may be required for all promotional material. 336 Events Management When hiring a venue, it is important to ascertain exactly what is included in the fee. For example, just because there were chairs and tables in the photo of the venue does not mean that they are included in the hiring cost. Negotiation: 500 words, Strong 4, identifying suppliers, special events 175 Conclusion

The United Nations and the Use of Force essays

The United Nations and the Use of Force essays Established with both the unscrupulous inaction of the League of Nations and the decisive effectiveness of the coalition against the Axis powers, the United Nations seemed to provide a multilateral, enforceable approach to international law and order at its inception. The bipolar world of the Cold War and the arguably hegemonic position of the United States in its aftermath provided sundry challenges to the UN's preeminence. As a climate of great-power policing pervaded international initiatives, the collective security goals of the UN were compromised by the national security objectives of the more prominent states. UN operations could be improved through Security Council reform and funding of peacekeeping operations, combined with expansion of the judicial authority of the United Nations to force compliance with its objectives. The structure of the UN Security Council must be drastically altered to serve the collective good of its member states better. The permanent membership of the United States, France, England, Russia, and China is anachronistic, reflecting a geopolitical order that no longer exists. Though some of the remaining ten seats are reserved for Africa and Latin America, the regions do not automatically gain increased clout. During the Security Council debates on the 2003 war on Iraq, Latin America was fortunate to be represented by more influential states, such as Mexico and Chile, while Africa relied on Guinea, Cameroon, and Angola, three nations more susceptible to outside pressure than some of their counterparts. Altering or expanding the permanent membership to include eminent states from each continent would give the body a more global voice. Furthermore, in the interests of equality, the veto must be abolished to prevent obstructionist behavior. Due to the national interests of t he states holding the veto, the UN was not involved in Vietnam, Hungary, Czechoslovakia, or the Falklands War despite the fac...

Can video games make children violent essays

Can video games make children violent essays Computer games, is it a possible disaster for society? While many say that it is just a game others, like myself, think that a computer can be as destructive as loading a gun and giving it to a toddler. This is because teens across the globe are playing horribly realistic video games with sadistic themes of violence, sex and drugs, not only that but some children are mimicking the actions of the games in real life, a sort of twisted reality lived out at a school in Columbine America. Also the fact that the government is even thinking of bringing out an R rated category so that children can play more violent games than usual is just astounding. The American government has investigated into these Murder Simulators and has found that some games do encourage aggressive behavior, some are such good teaching tools of destruction that the Australian army is using them as training tools, these are now being sold to the public to ANYONE. Some computer games that are being sold at such family orientated shops such as Target, Myer and K-mart are so graphically realistic that one could almost mistake it for reality. If that isnt bad enough the problem is that they can only get more realistic, while the technology of PCs advances its graphics capabilities boom enabling it to be more realistic than ever before. The realistic surrounds of everyday life added with the soul purposes to kill everyone, deal elicit substances and to Pimp women on the streets is just too much for the average ten year old to handle without being affected in an unacceptable way. It proved too much to two young American students at the Columbine high school in the USA. Two Children who were teased by other students decided to massacre their fellow students in a way not unlike to the Doom or Quake video games of their time. Both students were known to play excessive amounts of computer games such as Doom and Quak...